ILKER’S DEEP LISTENING CHART
Take a breather, and let these aural experience flow inside.
Beckahesten - Tydor [Cyclic Law]
Second full length album from one of Sweden's most singular sonic entity. Featuring guest appearances by Kai Uwe Faust of Heilung, Lars-Magnar Enoksen and Anders Hovland, the music of Beckahesten emerges from a borderland where ambient, folk music and ritual converge. Recorded in various natural locations in Norway and Sweden, nature spirits have infused themselves in these recordings...
Dancing with vague entities in a blackened cinder field, followers of dread that has woken, hypnotised one is drawn deeper into their realm. The trees moulder around and offer little protection. Haunting voices keep echoing in the dusk. Lost and trapped you lay down, shivering in the dew. You are their offering, sinking into the mire.
Standard Edition LP of 200 copies in standard sleeve with spot UV and Matt lamination with printed inner sleeve. 9 Tracks. Running Time 48.46 UPC: 694536563001
The music veers from post industrial heavy electronics with doomsday guitar punctuated with free jazz like woodwinds to ambient drone surf guitar found sound collage and back again.
This 7-inch circle of curiosity is packed full of thought provoking expressions, unrelenting dedication to sound design and a clear curiosity for explorative structures. Taken from Jo David Meyer Lysne’s concerts in Tokyo and Chiba in Japan, 2017 – the remixes by Joar Renolen and John Derek extract from and add to the original recordings in equal measure. What they maintain is a pensive and ethereal essence, complimented with personal sentiments that are reflective of the unique exchange between an artist and their environment.
For this release Ellende was a core of three original members plus a guest musician. The album was recorded between May to August 2020 in Cape Town, Johannesburg, Tokyo, and London. The release contains a twelve page booklet with artwork by Richard Hart. The autobiographical text in English and Afrikaans is of a trip taken to Cape Town in the mid 1970’s where two teenage cousins are confronted with the consequences of their shared family history.
The music can be described as ambient; the sounds are multilayered, often a bit dusty and slow moving. Some of the tracks sound like they have been recorded on old tapes giving the whole album a nostalgic atmosphere. Often a piano acts as the leitmotif, there is plenty of droning and throughout the tracks bits of texts from old French movies float in and out. Most of the music is made with vintage analogue synthesisers such as the Arp Solina, Prophet 5, ARP Solus, Juno 6. Most of the piano’s, Rhodes and Wurlizters are from the late 70’s as well. All the tracks have been recorded on tape, often played back on half speed. Mastering again was done by Rafael Irissari, whose own ambient work we greatly admire.
ZWART GOUD STAFF
FEBRUARY 2020
RYAN JAMES
FORD
MARCH 2019 CHART
Reissue of an ancient Blue Note rarity recorded at Rudy Van Gelder's legendary studio in 1956 with legendary bass man Paul Chambers doing the deep notes. Includes 2 bonus tracks.
A suite of electronic laments, tone structures and dreamtime rhythms, with a conceptual arc taking in death, life, sleep and religion.
Right from Hazyville, Actress’s music has been deeply marked by London’s rave music heritage. But after the angular dynamics of Splazsh, R.I.P heads out into deep space. The rhythms and pulses are smudged or blurred, or are hinted at by their absence. 2-step garage is collided into gamelan, and freeform interludes explore microtonal spaces and imagined string instruments.
R.I.P underlines Actress’s reputation as one of the most eloquent voices to emerge from the sub-bass nexus of London dance music. His intuitive and original grasp of beats, textures and rhythm puts him on a parallel path to dance music innovators such as Basic Channel, Burial and Aphex Twin. But the way he engages with electronic sound from first principles, realising his own self-contained sonic worlds, hints at less obvious kinships outside the dance music fraternity, with pioneers of homebrewed sound experiments such as Cabaret Voltaire, Pan Sonic and Oval. It moves the body but the sounds also tap into to something more intangible inside you; you dance, but also ‘slip/drift into another realm, probably without even realising.’
On these 1956 recordings we get some floating and grooving hard bop with an ever pulsating rhythm section, dueling tenor sax by Lateef and trumpet by Byrd plus solo slots for bass, drums and piano. The leading instruments generate a cheerful atmosphere and make this live album a blissful experience for every lover of the mid '50s hard bop sound
A mind-boggling new EP from Drexciya's James Stinson. A tape from which was discovered with no identifying info other than the title. Hot!
Under the Mikron alias, the Corcoran brothers have been responsible for some of the best thought-out and executed electronic music of recent years. Rich, spacey and emotive fare that sits somewhere between IDM, electro, new wave and Italo-disco
Returning for his second full-length LP of 2018, DJ Bone steps up once more to his own Subject Detroit imprint to present ‘Beyond’, a full-length and physical rumination on his own emotive and psychedelic contribution to contemporary techno. Loaded with the dynamics, charisma and widescreen appeal of his finest work, ‘Beyond’ sees Bone enter a musical state that reflects it’s ambitious title, celebrating underground ideals in a style that could only be his own.
5 Track EP from Miami's Greg Beato (L.I.E.S., Apron, Russian Torrent Versions). Really dope and varied stuff on here. Big TIP!
Mix Mup and Kassem Mosse deuce down a trio of slompy, dish-rinsing house deviations on the 3rd TTT X Palace 12”, following there examples of Theo Parrish and Omar Souleyman X Rezzett.
We’re all over the A-side like last night’s dinner on unwashed plates, loving those sloshing, pitch-bent drums that sound like someone washing a Roland machine in a saucepan under a cold, running water whilst Laraaiji doodles in the background, or something.
Chorus Beach is it’s drier counterpart on the B-side: a squeaky fresh slow house swinger elevated with mystic, discordant pads; and Watching Gischt hustles a deeply rude and loose house style somewhere to the left of Theo P and STL.
ZWART GOUD STAFF
FEB 2019 CHART
Returning for his second full-length LP of 2018, DJ Bone steps up once more to his own Subject Detroit imprint to present ‘Beyond’, a full-length and physical rumination on his own emotive and psychedelic contribution to contemporary techno. Loaded with the dynamics, charisma and widescreen appeal of his finest work, ‘Beyond’ sees Bone enter a musical state that reflects it’s ambitious title, celebrating underground ideals in a style that could only be his own.
Kicking off 2019 for Idle Hands comes a release from K-LONE, boss of the Wisdom Teeth label alongside Facta. Two tracks in a classic Idle Hands style. Dub and Garage influences to the fore, broken House vibes.
PHIL strikes back gently with a surprising repress! Made by Simon Hinter. Amazing hybrid between melodic electronica and deeper house and classic Detroit Techno. In 2009, there were only 150 copies were made of this gem which is insane considering the quality of the record. The label then just wanted to try out a few copies but realized after almost 10 years, they have no choice but to repress.
ARTIST: BELLATRIX? / PENELOPE'S FIANCE FT. CYBERMISSION
TITLE: FORGOTTEN ROMANCES
LABEL: LICENSE TO LOVE
CAT NO: LTL002
FORMAT: CASSETTE
GENRE: SYNTHWAVE / EBM
RELEASE DATE: OUT NOW
This EP contains a clear difference between the A,- and B side. On the A side you can listen to club-floor tracks composed by Bellatrix? These two tracks come along with a strong bass line and higher synth notes. The beat keeps you moving and the moods surprise you with a variety of emotions.
On the side B, Penelope's Fiance together with Cybermission composed three raw tracks, recorded in the way that we like it from Penelope with vocals from Cybermission, which make you think of all the memories you have with those you loved.
Anger, fear and sadness; this EP has it all!
Under the Mikron alias, the Corcoran brothers have been responsible for some of the best thought-out and executed electronic music of recent years. While that may seem like a bold claim, it's backed up by the quality of music on sophomore set "Severance". Their specialism is rich, spacey and emotive fare that sits somewhere between IDM, electro, new wave and Italo-disco. There's plenty of this kind of intelligent fare on offer here, alongside more downtempo offerings such as the hip-hop beat-driven shuffle of "Aldergrove", the dub techno influenced deepness of "Imora", the subterranean wonkiness of "Cast On A Clock Face" and the liquid ambient bliss of "Oceania".
Marrying freely metered vocals comparable with Richard Youngs to powerful instrumental drive worthy of prime Vince Clarke, Shakespeare’s ‘Domestic Economy’ is an effortlessly bold and singularly expressive revision of classic synth-pop styles bound to attract a keen following.
This album is a fine place to start, as Weingarten teams up with Walter Whitney for an engrossing exploration of ambient synth work merged with careful use of slide guitar and more besides.
With an alchemical grasp of elemental chaos, the Athenian artist recalibrates what you know about Jay Glass Dubs, doubling down on the psychedelic intensity while also pushing a sore sense of soul to the fore. The results stagger out of time and place, bulldozing boundaries and perceptions of meter and space whilst always keeping a cool head at the centre of the madness.
If you’re going to listen to one Damata album this year, why not listen to the only one? ‘What’s Damata’ is the debut album of this Guitar Trio, and is a compilation of compositions and excerpts from improvisations recorded in January 2019. The albums attitude, while handled with a lot of caution, suggests that everything is allowed in this music, which points towards the prudence of Brian Eno and Maria Kannegaard, the freedom of Supersilent and the harmonies of Aphex Twin and Olivier Messiaen. A lot of the music has a cinematic character to it, and may at times sound like a homage to Ambient Music, Drum’n’Bass and Scandinavian Jazz and Jazz-Rock, all while preserving the organic sound from the guitar trio format and the playfulness found in improvised music. This playfulness has also planted its seeds in the mixing process; a tune might suddenly accelerate or the drums might be replaced with drum machines. The titles on the album is no exception, which one can read from titles like ‘Oslo, 32. August’, ‘Her Piece’ and ‘I Say Damata, You Say Matoma’. Further, the order of the tunes is different from each format, meaning that the vinyl track order is different than the track order on streaming services. ‘What’s Damata’ is available on vinyl, CD and streaming services through the Oslo label Dugnad Rec.